Out of stock at the minute - feel free to place an order, though - shipping again early April!
The originals, first issued in 1969, were not a commercial success and withdrawn with only a relatively small number of units being sold. Fast forward 35 odd years, and the world was ready for its somewhat vicious ripping tones. Originals were scarce, so the prices shot up accordingly. Ampeg responded by reissuing a faithful reproduction in 2005, again in a limited production run with the result that these are now getting quite pricey. So unless you're a celeb pedal junkie like The Edge (who owns an original, but don't hold that against it), what are you to do?
Built from the original factory schematic (with a few substitutions that remain faithful to the original's tone), this pedal offers that face-melting sound at an affordable price. The best quality materials have been used throughout (all hand-wired, with Neutrik jacks, Alpha pots, heavy duty die-cast housing). Unlike the originals it does feature true bypass switching (so it won't sap your tone when not engaged), status LED and a 9v Boss-style centre -ve DC power jack. For the battery nerds, there's Zinc-Carbon PP3 included too. Comes supplied with an instruction manual with tips on how to get the best out of the effect.
There aren't too many recorded examples around: a couple of old Cactus albums from the early 70s, Jefferson Airplane on the album "Volunteers", and more recently, The Edge on the track "Kite". Feel free to contact me if you know any more. I have recorded a couple of short demonstrations (recorded on a mid-70s Fender Music Master into a Line 6 Backtrack). The pedal has two controls, "Blend" which controls the mix of dry and effected signal, and "Texture" which controls the amout of upper octave in the signal:
- short solo clean, then full blend + texture
- short riff clean, then full blend + texture
- short riff 2 clean, then full blend + texture
- placing an overdrive pedal in front with the texture on full, balance at halfway to get an otherworldly octave swell
With the Texture dialled all the way back the Scrambler calms down to produce some very nice overdriven sounds retaining chord definition well. Recorded with the Music Master + fairly clean Laney LC15.
Given Ampeg's bass pedigree, it's not surprising that the Scramber works very well on four strings too:
- bass played with pick->scrambler full blend, zero octave->Line 6 Backtrack - clean tone first, then fuzz
It's a suprisingly versatile little box that adds a healthy dose of chaos to your pedal board. I've had much fun moving it around my effects chain seeing how it reacts against the rest of my gear.
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